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Quick reviews
Where the Wild Things Are looked beautiful. I liked the acting, the cinematography & the script. The pace seemed unnecessarily slow at times, but that may have been because I was starving and really wanted to get out of the theatre and grab some dinner.
I just finished reading In the Woods. It's a dark and unsettling book, so naturally, I really liked it.
The plot: three children vanish in Ireland in the 1980s. One is later recovered alive, clinging to a tree in the nearby woods, his shoes covered in blood. He claims to have no memory of what happened to his friends. Years later, the boy in question has grown into a troubled detective who finds himself working a child murder in the same vicinity as his own childhood trauma. Believing the two cases to be linked, the detective decides to keep his own role in the story secret from his colleagues and from the townspeople as he searches for answers.
Publisher's Weekly calls this a "psychological thriller," and I have to agree. This is really a story about how people think, about what they recognize and what they don't. It's also a good example of Todorov's Fantastic, in that there's a strong hint of the supernatural in the plot, but as it is filtered through the first-person perspective of an extremely damaged person, it's not clear whether the "truth" lies in the realms of the real or the unreal.
I just finished reading In the Woods. It's a dark and unsettling book, so naturally, I really liked it.
The plot: three children vanish in Ireland in the 1980s. One is later recovered alive, clinging to a tree in the nearby woods, his shoes covered in blood. He claims to have no memory of what happened to his friends. Years later, the boy in question has grown into a troubled detective who finds himself working a child murder in the same vicinity as his own childhood trauma. Believing the two cases to be linked, the detective decides to keep his own role in the story secret from his colleagues and from the townspeople as he searches for answers.
Publisher's Weekly calls this a "psychological thriller," and I have to agree. This is really a story about how people think, about what they recognize and what they don't. It's also a good example of Todorov's Fantastic, in that there's a strong hint of the supernatural in the plot, but as it is filtered through the first-person perspective of an extremely damaged person, it's not clear whether the "truth" lies in the realms of the real or the unreal.